Today we went to Anne Hathaway's cottage...and that's when I fell head-over-heels in love with Stratford-Upon-Avon. It is so beautiful there, as was our little walk to the cottage from our B&B's. Roses climbing up every wall and almost every country house along the way had a gorgeously tended garden. My favorite garden was, of course, Anne Hathaway's, though.
Roses in full bloom climbing up the Tudor exterior of the cottage. Willow cabins and trellises. A lush green "wilderness walk". A thriving herb garden. The list could go on for pages. The garden was beautiful, the home itself was beautiful...ugh...I now 100% regret not buying my mum a tea towel from the cottage.
After we took the traditional group photo in front of the herb garden and wandered through thegift shop, we started to head over to Hall's Croft, where Shakespeare's daughter, Susannah, and her husband lived. The garden there was more tamed and under control, but still gorgeous. I cannot get enough of those English gardens! So many different roses! And...so many lovely peonies, as well!
After these adventures, we went back to our B&B's to take nap in preparation for RSC's Macbeth.
At about 2:30, Matthew, Nathan, Claire, Andy and I met to get food and hang out before the show. We went to Pizza Express and had such a fun time! I felt like I hadn't laughed that hard in a while. Andy and I were really adventurous, we got the American pizza. 'Twas good.
After Pizza Express, we hurried over to Moo-Moo's to get Andy's long awaited milkshake. Oh my Lord. These shakes are a complete joke! In a good way! They're incredible! Will would love this place. They have so many amazingly yummy combinations to choose from/make! Andy got a milk chocolate HobNob shake and Matthew got a chocolate chip cookie shake. Wow, wow, wow. Rarely have I seen Matthew giggle as hard as he did when he took the first sip of that shake.
Then, once Andy and Matthew could get their heavily sugared bodies to move, we walked over to the RSC bookstore so Matthew and I could buy our RSC Complete Works. Twenty-five pounds! It's gorgeous and beautiful and my little baby!!! Ahhh!!! Matt and I were so protective of our Complete Works that we had to run back to our B&B's to drop them off before the show. We walked back and spent the remainder of our time before the show relaxing outside the RSC by the river watching the boats go by.
I can't delay writing about the RSC's Macbeth any longer. It was incredible. I barely even know where to begin. Uh...I'll write my pre-play impressions:
- The set is creepy as all hell.
- Looks like a church that has been destroyed by bombing and disrepair and, then, aging.
- Ruined frescas (saints with their faces scratched off), obliterated statues, piles of debris...dust in the air...shattered stained glass windows.
When the play started, the three cellists on the upstairs balcony began to play, the lights went out, and, not 20 seconds later, a bloody and shell-shocked Malcom was lit up and, with creepy prompting from Ross, began the Captain's opening speech. And from then on, my heart was racing and my mouth was agape.
The witches were little dead children. Their first entrance was absolutely terrifying! They were lowered down from the ceiling from ropes with their bodies hanging limp. It looked like they had been hung by the neck, but then they started to speak...telling Macbeth his prophesy. This was creepier in retrospect because these children ended up being the dead versions of Macduff's slain children. OH!
They cut most of the witches out, but it was okay because it really would not have worked with this concept.
One thing I was especially excited about in this production was the use of the Porter! This production did with the Porter what our production tried to do with the witches. Because the Porter in this show was ACTUALLY the porter of hell-gate! He was on stage, on the upstairs balcony, overseeing all of the evil deeds being done. Ah! The same actor who played the Porter also played Seyton (get it?!) and put Mabeth's armor on him before the battle at the end. And when people died, the Porter stood by the upstage door holding a lantern, that shined red light, and welcomed the dead in. So cool!
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| Jonathan Slinger as Macbeth |
Just for the record, Jonathan Slinger as Macbeth was amazing. He was so present and seemed like he was never going to produce tonight's specific Macbeth ever again! The way he played with vocal pitch was amazing and taught me so much. Actually he and Lady Macbeth did this. They would go down to these extreme low notes in very specifics places. Depending on where, it showed either/both strength and extreme fear and grief.
I would now like to discuss how horrific the murder of the MacDuffs was. VERY HORRIFIC. So, the murderers walked in and one of them got Lady MacDuff in a strangle hold forcing her to watch the events that would take place. The others, meanwhile, slit her two sons' throats. Lady MacDuff died before she could see what would happen to her daughter. The murderers exited dragging the young MacDuff girl off stage with them. On stage, the Porter opened the upstage door and welcomed the family in. Once they were all gone, the little girl came back on stage and went through the door to catch up with her family. O. M. G. Messed Up.
The live cello performers were amazing and made every scene 10x more intense and brought me 10x closer to tears.
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| Beautiful coronation scene between the Macbeths. |
This was the first production here where I was weeping after. Like, the hiccuping kind. Like, snotty and stuff.
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| Jonathan Slinger and Aislin McGuckin |
Oh, RSC, how I do love thee.












